massive attack playing in the background

lots of changes in the last few months. left queens for brooklyn (at least for now). here is a photo from dresden from my 2 week adventure in germany. the trip allowed for a refreshed creative sense. which i needed very much so.

sometimes i write haikus. since lately ive mostly been writing ill share some.

bean bag chair phone call/the garage door was open/we ate gianni’s

you are the future/brukulina emerges/a black fedora

neck your head with pearls/and feel pretty for the ride/we all wear makeup

chosen words

the most recent thing ive made. it’s a solar plate print.

i was really obsessed with words for a while and using text. im trying to write more again and use text. the “chosen” in this print was written with water color then scanned in and printed out on paper and also acetate and then layered and then rescanned in and then printed out on acetate to make a plate. layering and layering and layering.

it’s getting cold out there. button up!

so i know it’s weird that i enjoy scanning inanimate objects and then analyzing them but i can’t help it! writing about it helps me to figure out why im doing it of course.

buttons

so for the past year or so i have been toying around with those little plastic bags with the extra button in them that you get with new clothes. i started to find them around the house and realized that many of these buttons no longer had an owner. the jacket, sweater or pair pants they belonged to had long ago been worn out, given away, donated or lost. but the button was still preserved like new in this little plastic bag waiting to be useful someday.

the buttons are funny to me. they are objects that we don’t think about much but we all have somewhere in a drawer or box or under our bed if we’ve ever bought something new that had buttons. but of course as receipts these objects are evidence of consumption and the ability to have bought the item represented by the button. it represents a certain status.

the buttons are not a fully fleshed out idea or image yet. i made a few dry-point etchings of the buttons to see if the idea would translate the way the receipts did.

ive been trying to make button-bag images using solar plate printing also and i like them because the images are more photographic but now something else is missing with too much of the evidence of the hand removed. they are funny little objects to collect. so im still collecting and working on them.

RIP 77th Street Studio

so we moved out of the jackson heights studio. the garage is emptied out and it’s time to move on to the next stage of art and life. the 77th street garage was an important space this past year. making new art through the rain, shine, snow and warmth.

last winter we bundled up with our space heater to print and paint. this year maeve is getting into the scene in long island and i am soon switching boroughs.

in other art progress. ive been experimenting with solar plate etching lately courtesy of the lower east side printshop. more photos of new work and rantings on art ideas to come.

and so the receipts…

i used to have a static page up with these images and some other old/new work on here. i decided to change that. to keep things moving. but i do want to post this as the receipts are very important to what ive been working on since.

here are some photos of my senior thesis exhibition in May 2008 called Retain This For Your Records. it was comprised of a series of dry-point etchings that are “maps” of the wrinkles and folds naturally formed on receipts that i collected.

the desk was a part of the installation and was filled to the brim with all the receipts i had collected (from myself and others) organized chronologically and by type of business.

the details are of Food Exchange, Be a Tidy Kiwi-Westpac and Strawberry-Pipe Explosion. the receipt prints are preserved and honored in frames in what i hoped to be a somewhat humorous way. elevating an object that was initially printed on thin, flimsy paper by obsessively analyzing each wrinkle and fold and creating a nostalgic object. each print is it’s own map and at the same time the whole series is a collective map of consumption, nostalgia and memories. Continue reading ‘and so the receipts…’

how to get rid of old poems you never want to read again

i can’t seem to get away from this shape. the receipts, the button bags, and these text-based dry-point etchings i was working on earlier this summer. these are test prints and they’re not quite where i want them yet.

each color marks the use of a different pronoun in my writing.textbasedetchings

and did it rain

our second open studio brought some new faces to the garage. despite the pouring torrential rain all day! it was a great way to end summer chaos and get into the fall grind. october always has that “i should be productive” feel to it.

fall time productivity thus far: learning how to make and print solar (photo polymer) plates and finally updating this blog!

button bags on the rack

open studio

our first open studio day in the 77th street garage was a success showing the artwork of myself and friend, fellow artist and studiomate Maeve D’Arcy.

art, food and drink were had with good friends from near and far braving the rain to show support. food, beer and a tent for shelter kept us going and our friends, colleagues and neighbors brought life to the garage.

open studio

whatever happened to the Q19b?

qnineteenb: Q19B

what is it? the bus i rode to and from the subway station all throughout high school and beyond.

one day, while waiting for the bus one rainy fall morning the Q49 pulled up.

whatever happened to the Q19b? they renamed my bus without even asking!

that is the side story. now the main story.

the purpose of this blog: a forum for my artwork and a way to update on what i am most recently working on in my studio in jackson heights, queens.

stay tuned for updates from the garage.



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